The first epigraph above is taken from the climactic scene in Thomas Middleton’s play, More Dissemblers Besides Women (1614), in which a Page swoons and calls out for a midwife after rigorous dancing lessons. Cinquepace, the speaker, assumes a miracle, an upside-down world, a strange case, and that a woman must have impregnated the Page—all of which allow for the possibility a young man could be pregnant (5.2.224-29). The audience has more insight into this moment, however. In the first scene of the play, Lactantio recognizes the Page as a former lover in disguise, and the Page informs Lactantio they are “with child” (1.2.142). (Because the Page is given no names other than Page or Antonio in the play, I refer to them throughout this piece with they/them pronouns). Over the course of More Dissemblers Besides Women, the Page waits in vain for Lactantio to marry them, while the other characters perceive the Page as “sweet a breasted page as ever lay at his master’s feet in a truckle-bed” (1.4.100-3). Even after the Page goes into labor, Cinquepace is none the wiser and exits the stage “supporting the Page” (1069).