The Head of a Dog or Horn of a Rhino: Meaning, Milton, and Me

[H]e reproaches me with want of beauty and loss of sight: “A monster huge and hideous, void of sight.” … [B]ut he immediately corrects himself, and says, “though not indeed huge, for there cannot be a more spare, shrivelled and bloodless form.” It is of no moment to say any thing of personal appearance, yet…

“There Goes the Monster”: gazing at blind men in Restoration tragedy, part II

In my last article for Synapsis on Milton’s Samson Agonistes (1671), I mentioned that much of the tragedy is concerned with the fact that its blind hero is “[m]ade of his enemies the scorn and gaze” (34).[1] It’s worth highlighting this thematic epicenter not only because scholars more often emphasize Restoration political debates than disability…

Austen, Expectations, and Crips in the World

Pasquale S. Toscano // I’ve been reading a great deal of Jane Austen lately, which is odd, because I’ve never considered myself a fan of the grande dame of English letters. All of her plots are so damn predictable, and well—how shall we put this—quaint. And then there are those maddeningly handsome gentlemen and far-too-fetching…

Trump, Madness, Tricolon Crescendos

Pasquale S. Toscano // Madness is therefore defined to be a vehement dotage, or raving without a fever, far more violent than melancholy, full of anger and clamour, horrible looks, actions, gestures, troubling the patients with far greater vehemency both of body and mind, without all fear and sorrow, with such impetuous force and boldness…