Ethnographically Capturing the Autoimmune: Textures and Surplus

 Ethnographically Capturing the Autoimmune: Textures and Surplus   My New Year resolves to avoid fitting in within academic circles that reductively evaluate and lazily quantify my professional and personal contributions. I am tired of defending: my dissertation, my philosophies, and, ultimately, myself. Mentors and elders have confessed that the purpose of academic hazing is to…

In and On the Clinic

All of my previous trips to our nearby hospital have been marked by blood and bruises. As an especially clumsy individual, I’m used to squeezing paper towels tightly around gashed fingers or pressing ice compresses to a purpling forehead, blinking with the unfocused eyes of someone definitively concussed. Accompanied by my wonderful partner, I am…

The Head of a Dog or Horn of a Rhino: Meaning, Milton, and Me

[H]e reproaches me with want of beauty and loss of sight: “A monster huge and hideous, void of sight.” … [B]ut he immediately corrects himself, and says, “though not indeed huge, for there cannot be a more spare, shrivelled and bloodless form.” It is of no moment to say any thing of personal appearance, yet…

Aversion to Aging: Futuristic Science Fiction and Ageism

Science fiction, a genre known for its extrapolations into the future, seem Science fiction. For a genre that is known for its seemingly equitable futures, it sure seems to take issue with age and aging. Indeed, disability studies scholar Alison Kafer notes that “Whenever I tell people I have been working on a book about…

“There Goes the Monster”: gazing at blind men in Restoration tragedy, part II

In my last article for Synapsis on Milton’s Samson Agonistes (1671), I mentioned that much of the tragedy is concerned with the fact that its blind hero is “[m]ade of his enemies the scorn and gaze” (34).[1] It’s worth highlighting this thematic epicenter not only because scholars more often emphasize Restoration political debates than disability…

My Anxious Brain Inspires Me

Melissa Maldonado-Salcedo // “A writer….must believe that whatever happens to him is an instrument…This is even stronger in the case of the artist that happens, including humiliations. embarrassments, misfortunes, all has been given like clay, like material for one’s art.” -Jorge Luis Borges This story offers a snapshot into my head to provide a humanistic…