Mel Maldonado-Salcedo // OUT OF THIS WORLD Learning that I was an empath changed my life. It wasn’t that this label gave me meaning or purpose; it just simply explained “me.” As an artist, being sensitive is celebrated and somewhat necessary to create. In academia, emotions and feelings should be kept at bay, especially if…
Category: Disability
“Let Be Assigned Some Narrow Place Enclosed”: Requesting Accommodations Has Always Been Tricky Business
Pasquale S. Toscano // Two events occurred this week. Surprisingly, they interconnected. First, I was hidden away in my dorm room, studying for PhD qualifying exams next month. Second, I got a ticket for parking in a lot that was designated for “visitors” to Princeton’s campus. Scratch that: a warning, and a warning with no…
“Making the Poem Physical”: A Talk With Kamil Guenatri, A Disabled Performance Artist
Pauline Picot // Kamil Guenatri is a performance artist. He first started working as a computer engineer before changing his course entirely at the age of 25, when he decided to practice performance art. Since 2010, he has been creating and presenting his work in France and abroad.
Austen, Expectations, and Crips in the World
Pasquale S. Toscano // I’ve been reading a great deal of Jane Austen lately, which is odd, because I’ve never considered myself a fan of the grande dame of English letters. All of her plots are so damned predictable, and well—how shall we put this—quaint. And then there are those maddeningly handsome gentlemen and far-too-fetching…
“She’s with us now”: Informed Consent, Assimilation (“cure”), and Disability in Star Trek: Voyager
Brenda Tyrrell // The Borg. Simply saying these two words makes such intrepid Star Trek captains such as Jean-Luc Picard turn tail and run. First introduced in 1989, the Borg instill dread, fear, and confusion into anyone who encounters them – and lives to tell about it; the pre-eminent bad guy of the Star Trek…
Archive Fevers, Archive Cures: Leprosy and Decolonization in Hawaii
Bassam Sidiki // In the summer of 2019, a mere months before the pandemic would dramatically alter our lives, I boarded a plane from Detroit to Honolulu. I had received a pre-doctoral research grant to visit the Hawaii National Archives where they keep papers of the Kalaupapa Leper Settlement on the island of Molokai. This…
Emotions as Ethnography: The Story Doctor’s Toolbox
Melissa Maldonado-Salcedo// I am always “in my feelings.” I say this unapologetically, and knowing that some Latina women are rendered in popular culture as lacking control of their emotions and impulses. The overlap between these representations and my ethnographic life does not escape me. Empathy, “my gut,” memories, and emotions are all my critical tools…
Trump, Madness, Tricolon Crescendos
Pasquale S. Toscano // Madness is therefore defined to be a vehement dotage, or raving without a fever, far more violent than melancholy, full of anger and clamour, horrible looks, actions, gestures, troubling the patients with far greater vehemency both of body and mind, without all fear and sorrow, with such impetuous force and boldness…
‘Laughing At’: The Exploitation of Disability as Comedic Entertainment in Pre-Industrial Europe
James Belarde // “They called me mad, and I called them mad, and damn them, they outvoted me.” –Nathaniel Lee, 17th century dramatist, after being committed to Bethlem Hospital In late June 1340, the members of the French royal court found themselves in a tricky situation. France’s navy had just been decimated in the Battle…
Little House in the Hood: Save the Bees, call me Mel
Mel Maldonado-Salcedo // What’s in a Name? I was born in the 1980s, an era filled with excess. Perhaps this is the reason I have always struggled with moderation. My generation was defined by drugs, MTV, and Melissas. From grade school to high school, I was one of a few Melissas in each classroom. For this…
