The Endemic Pandemic: Ruminations on American Biopower under COVID-19

Erik Larsen // The gnarled cherry trees are beginning to bud in the city that George Eastman’s Kodak empire built. It’s a crisp April morning in Rochester, New York. With the exception of writing from a makeshift bedroom office, my day loosely resembles spring days of years past. But if Covid-19’s silent emergency has yet…

Zombie Epic: Medicalized Politics on Screen

Erik Larsen // Of all the monsters populating modern culture, zombies have lurched into a dominant position in our television and film. Despite varied examples across media forms, one trait unites these mindless eaters: zombies are distinctly unhealthy. Whether decaying bodies or the hosts for a decimating plague, zombies incarnate our sense of health’s absence,…

Pat-a-caking One’s Way into the World of Blindness

Botsa Katara// “But he wouldnay get his fucking Dysfuckingfunctional Benefit man he would be lucky to get fucking re-registered … and the actual compen was a joke. Nay chance.” (Kelman 248) The epigram belongs to James Kelman’s Booker Prize winning novel, How Late It Was, How Late. Published in 1994, the novel documents the travails…

Persons or Things? On the Ethics of Anatomical Dissection

Erik Larsen // “Open up a few corpses: you will dissipate at once the darkness that observation alone could not…” (Qtd. in Foucault 146). Xavier Bichat’s maxim, written in his Anatomie générale of 1801, described a new medical epistemology—one that informs medical practice and training to this day. Along with his Parisian colleagues, Bichat attempted…

The Biopolitics of Interface Design

Gabi Schaffzin // This week I read two pieces which had me thinking about the ways that our bodies are controlled via an often overlooked field in the health humanities: interface design. The first, Mark Paterson’s 2018 essay, “The Biopolitics of Sensation, Techniques of Quantification, and the Production of a ‘New’ Sensorium,” was sent to…