what would it mean to write madness from the site of black girl interior? 

[This Series is a conversation between my interior and the interior of Ada, Freshwater’s protagonist. As a Black girl who, at times, has experienced multiple selves, I allow my messy insides to narrate a semi-fictional account that reflects my spiritual experience of journeying with this book. 

*If you have not yet read Part One of The Dear Asughara Series, please read that before you read this. You will need it for context and clarity, guidance and grounding.  

 

. . .

 

THE DEAR ASỤGHARA SERIES: PART TWO

“the world in my head has been far more real than the one outside – may that’s the exact definition of madness, come to think of it” 

(Freshwater, p. 93)

 

/

 

me

dear reader,

what you have to understand

is that 

i live in multiple planes 

i exist at multiple scales 

as multiple selves 

yes, multiple selves 

 

and yes, it is true

there are multiple realities 

occurring inside of me

all at once

 

and what you have to understand 

is that the reality “in my head

[is often] far more real

than the [reality] outside” (93)

 

and this is a 

sacred war

of sorts 

 

-a war between the planes-

 

this is not a metaphor 

it is literally

quite literal 

as real as 

Asughara

 

as real as

you, as me 

 

if you are not

as strange as me

it’s likely 

you will not

understand 

 

if your body

is not a portal

 

it’s likely 

you will not 

get it. i have grown

weary  with the work

of trying to explain 

 

.

 

dear sister,

can you hold my hand

as i head into the chaos

of my making?

 

this is a sacred war of sorts

between we who wish to 

return to the body, and we

who refuse to obey 

 

.

 

wild child, to Asughara  

blood. belief

and sensitive skin

 

i am prone

to too much knowing 

 

it was a song for me, too

that brought me close

and ignited the

second birthing

 

.

 

me, to Asughara and Her Ghosts 

i, too

have altars 

with names

i wonder

 

how come

i am so much

like this woman –

sixteen with

scars and sins

 

reaching

arms outstretched

for a christ

and a cloth

that we cling to

a christ 

and a cloth

that might

hold me. he

never came

 

but the gods did

 

or the spirits did. or

did they? was it really

just me all along?

and here i am

in north carolina

having to pretend

like pages of this

book have not

ruptured me. i knew

 

i should have never opened this

 

not here. not now. in

foreign hotel rooms

alone. with no comfort

no grounding

 

.

 

ancestor say

no mistakes

if not now when

my child

 

.

 

i am tasked

with rememory

of who it is i am

and what all i believe

with the journeying

of each page

 

/

 

wild child, to Asughara

we too tight tall twin sisters

birthed at the merging of our mother

birthed at the meeting of our mother

made wings out wounds and things

 

and this

is how we

survived

 

but we could not break

this child, this child

 

she knows

way too much

of her power now

 

/

 

me, to Asughara + Ada’s Ghosts  + Mines

you, spirits

are not more

holy

than the 

human life

of the girl 

 

let that girl

have her human life

support her

in that path

 

you, shadow

are a sad sad city

set on tunnels 

for loathing

 

but i

love you

i gift you good

with golden brick

roads and bridges

back home

 

this is your struggle

not mines

 

give us girls

our bodies back

give us girls

our wings

 

give us girls

our bodies back

give us back

our things

 

that girl, that Ada

she has a right

to her flesh

 

me, my girls, we got a right to

this flesh. please, give us back

our things

 

/

 

wild child, in third person, to everyone  

she is 

burnt orange

brick red

burgundy flame

 

unruly 

 

wild. roaring

through oceans

and streams 

 

the great Shango 

may claim her head

 

at times, like ogbanje,

she wishes her dead

 

did you know, she’s only

half/ of one part?

 

at times

she despises 

being human 

 

wishes 

for the flesh

to be wilder

hotter. more

untamed 

 

hates

pearls and pageants

and prissy things. proper

and poised and last name

that is not her

mother’s

she wants 

to be queer

just for the

rebel of it. to

revel in the

boldness 

of her choosing 

 

she wants to

act out. cut up. burn down

 

run away. to the moon

start over

 

she sees herself

in Asughara

 

she comes alive

in the light of Asughara

Asughara is the girl

that gives her wings

 

/

 

me, to Ada 

Asughara

wakes up

the rage

of the child

and wages a war

inside me

 

this pretty precious thing

i call my life, this

wild child wanna

pull me out of

 

she is the baby

of the rape

like Asughara 

 

the child

that was birthed

from a chimney 

of chains 

 

heavy, heavy

teen girl energy

smoking. choking

on rage

 

she is the rage

that lay dormant 

inside me

 

Asughara

wakes her up

gives her wings

 

she wishes to 

run amuck

f*ck sh*t up

waste her luck

she’s in love

with the fire

addictively

 

she is the girl

that wishes

to drown at sea

to set flame

to the ocean floor

 

to get stuck

and fall in love

with the flux space

 

she is the one

who pulls all souls 

out my body

 

she is the one 

who pulls my soul 

out my body 

 

she is so bored 

with this picture perfect life

the life we made

to disguise her

 

she is addicted

to the pace of chaos

right now,

there is too much

peace 

 

some girl in me

asks her,

what if we soften,

my sister, what if we

soften, and settle in?

 

she grins. wicked with

wonder, bout why we who

live here would ever really want

anything that is not

dysfunction 

 

wild child, in third person, to everyone  

wild child

has no desire

to come home

to here. this

body, this life

is no home to me

 

and death

ain’t quite home either

 

home is 

 

the space between the gates

she loves to be in flux. uprooted

 

fully immersed 

in the high of the feeling

the dive is what keeps her

alive

 

me, to Ada 

 

she hates to be restricted

wants all of my time

 

a full whole

half life

ruled by the

feeling. and the

feening for the

feeling, of

destruction 

 

wild child, in third person, to everyone 

she does not

want to die

at least not

anymore. she

just wants to

straddle those

lines

 

she does not

want to die

at least not

anymore. she

just don’t 

really wanna

stay alive

 

at least, 

not alive like how they see it

healthy and whole and

here and stuff

 

she enjoys

the flux, like

way too much

she enjoys,

too thoroughly

her fragmentation

 

it is the thing that

keeps her

alive 

 

me, to Ada

she fears, 

desperately,  

that if i 

get well

i won’t 

need her 

 

that if i get well

there will be no room

for the girl and her 

fire. her edge. her angst  

 

she is a dragon 

the spark of a

phoenix. she is 

rare and raw and 

raging 

 

pacing back and forth 

in the walls of my mind 

she can’t afford 

to bid me well

no, not this time 

 

.

.

.

 

**stay tuned for Part Three of The Dear Asughara Series**

TEXT CITATIONS

Emezi, A. (2018). Freshwater (First hardcover edition). Groove Press.

IMAGE CITATION

“the strangeness of wildness and things.” wild child + reelaviolette. 2023.

+

deep gratitude for conversations with Ifechukwu and Dianu for returning me to the words angst and dysfunction in our collective explorations of Freshwater. deep gratitude to Eushavia and Elondra for  providing the sacred container to explore the book in community.



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