The Art of Dissection

Jac Saorsa: Artist-in residence// (The following is an extract from my PhD in creative writing. A work in progress!) Sweet is the lore which Nature brings; Our meddling intellect Mis-shapes the beauteous forms of things We murder to dissect. Enough of Science and of Art; Close up those barren leaves; Come forth, and bring with…

Contagious Exhibits: Curating the Plague

Diana Novaceanu // The exhibit In Time of Plague: Five Centuries of Infectious Disease in the Visual Arts opened in January 1988 at the American Museum of Natural History in New York. It aimed to showcase both the “changing conventions” of illness representation and the ways in which artists dealt with “the gradual emergence of…

Proust in Pandemic: Part I

Catherine Parker // Saturday, March 14, was my last weekend call day as a third-year medical student on the vascular surgery service. That day, I spent twelve hours at New York Presbyterian Hospital. I also learned that elective surgeries had been cancelled to make Intensive Care Units out of operating rooms. So, it came as…

When words fail…

Jac Saorsa: Artist-in-residence// In my work I make a lot of portraits. Some are of real people but most are ‘constructs’ – images created from my imagination, even if based on reality. All originate from some form of profound emotion. In all of the portraits I make, it is the eyes that, for me, are…

This Music is Our Music

Erica Cao // The hallway opens up to a room where trophies and boomboxes line a fireplace mantel which emits a warm blanket-glow covering histories of unspoken trauma: abuse, violence, deaths. Children’s Aid and Family Services of NJ houses girls who are an average age of nine years old. There’s about eight girls in each home….

Waiting for Laughter, Part 2: Finding Empathy for Pain Through Humor

James Belarde // AUTHOR’S NOTE: Both this article and Part 1 discuss a short play written by the author that can be found in its entirety here. “I don’t trust anyone who doesn’t laugh.” ­-Maya Angelou In my last article, I discussed a comedic (and tragic) play I wrote that was produced by my fellow…

Collectively Holding Space: A Reflection

Amala Poli // I find, when I write, I don’t want to write well-made scenes, narratives that flow, structures that give a sense of wholeness and balance, plays that feel intact. Intact people should write intact plays with sound narratives built of sound scenes that unfold with a sense of dependable cause and effect; solid…