Articulating symptoms of illness often first requires dis-articulation: this part hurts; this one thing happened; I started feeling this, then this; are these things related? First narrativized as a series of observations, symptoms separate out into individual signs (one symptom, after all, could be the effect of one cause, but a different symptom could be…
Tag: gender
The Performance of Pain
You cannot breathe; the world slows down around you; your chest tightens as you walk to your car. Once again, you feel as though you have failed to convince a doctor of your pain, and once again, you must face it alone. This is, unfortunately, the experience of far too many female patients, but the…
Prescription Rage: On Teaching Susan Stryker, ‘Frankenstein,’ and Affect in Medical Discourse
My university students are very good at behaving. They say “thank you, Heather,” after every class, write emails with streamlined professionalism, and (almost) always follow instructions. This quarter in my “Medicine in British Popular Culture” seminar course, we’ve committed to loosening that grip on affective constraint. We start class with silly ice-breakers, we welcome deep…
Representing Women’s Pain: “The Pain Scale” and “The Retrievals”
In her 2005 poetic essay “The Pain Scale,” author Eula Biss challenges the conception of medicalized pain rating systems. She describes how pain ranked at “0” or “10” seems unfathomable, given the impossibility of representing pain’s absolute absence or its “worst imaginable” presence (Biss 30). She also critiques how patients often succumb to the “tyranny…
Access Denied: Health and Justice Under Siege
Access Denied: Health and Justice Under Siege Authors: Khosro Kalbasi Isfahani and Tiffany D. Creegan Miller Khosro Kalbasi Isfahani is an Iranian journalist, activist, and researcher. Currently, Isfahani writes for BBC Monitoring, the Atlantic Council, and ARTICLE 19, focusing especially on health and human rights violations. His work includes articles on Iran’s violence against protestors,…
Representations and Discourses of Vietnamese and North African Women in French Colonial Postcards, Part II
Clothing in Postcards of Algerian and Moroccan Women In many ways, garments were a marker of disparity between Vietnamese and North African colonial portraiture. In Algeria and Morocco, postcards were often organized around the veiled—or rather, unveiled—woman, a theme central to Orientalist art and photography. Colonialist photographers, such as Jean Geiser, Rudolf Lehnert and Ernst…
“A Hallowed Institution”: The Bordel Militaire de Campagne (Mobile Field Brothels) and the Making of Military Prostitution in France Following World War One
Reflecting on the French system of military prostitution known as Bordels Militaires de Campagne (BMC, Mobile Field Brothels) during the First World War, Dr. Léon Bizard wrote in his memoirs (1925): It was a mêlée, a hard, dangerous, and disgusting business. Fifty, sixty, up to a hundred men of all colors and races to relieve…
Calories: The measure of nurture
The date was October 28, 1935. The night could have been peaceful and relaxing for 26-year-old Fukuda Katsu living in Tokyo if her husband did not complain about dinner. After quibbling about her cooking of rice, he rebuked Katsu for lack of knowledge: “You are too indifferent about calories.” His words were like a slap…
Colonial Lit(t)eraria: Topographies of Purity and Pollution on the Bank of the Ganga
Is there a link between the histories of the sanitation of the Hooghly and the formation of a discourse of sanitary womanhood in colonial Calcutta? The river in question, Hooghly or Ganga, was the epitome of pollution for the British while being synonymous with purity for the colonized Hindu. The historian Pratik Chakrabarti makes an…
Entering the Mystery: The Lady’s Handbook for Her Mysterious Illness
Emily Waples // Emily Dickinson, we know, did not title her poems. But when Mabel Loomis Todd and Thomas Wentworth Higginson set out to publish their first edition of Dickinson’s work in 1890, four years after her death, they took this liberty. What contemporary readers of R.W. Franklin’s edition may now know as poem #760,…